The Blue Flower is set in the Germany of the late Eighteenth century, as Romantic sensibilities ferment in the great universities and clash with the traditional ways found in the small towns where much of its action takes place. At the centre of the novel is Friedrich von Hardenberg, a student of philosophy, rubbing shoulders with the likes of Goethe and developing his own ideas and poetry with which he will later find fame as Novalis. The novel’s short chapters provide insights into his unusual and contradictory life (alongside his poetry, he’s also taking on the running of a salt mine…) as well as those of his family members and contemporaries. Most strikingly, it details his captivation by the twelve-year old Sophie von Kuhn, a ‘normal’ girl offering little in terms of the usual expectations of the time (she’s neither financially nor intellectually his equal).

Alias Grace is based on the true story, well known in Atwood’s Canada, of the murders of Thomas Kinnear and his housekeeper Nancy Montgomery in 1843. Atwood focuses mainly on one of the accused murderers, Grace Marks, a servant in Kinnear’s household along with James Montgomery, who was hanged for the murders while Grace was sentenced to life.  

Sacred Hunger is a 620-page epic centred around the a slave ship, the Liverpool Merchant, in the 1750 and 60s. The ship is owned by the Kemp family, with the younger Erasmus Kemp one of its principle players. His cousin, against whom Erasmus bears a childhood grudge, Matthew Paris, has recently been released from a prison sentence for spreading proto-Darwinist propaganda, a crime which also inadvertently led to the death of his wife Ruth. He elects to join the crew of the Merchant as ship’s doctor, as a form of penitence and attempt to escape from his former life, much to the chagrin of the vessels’ terrifying commander, Captain Thurso.

The English Patient tells the story of four very different individuals who find themselves living together in abandoned villa in Northern Italy in the final months of World War II. Hana, a young Canadian nurse, has stayed behind at the villa (previously used as an improvised hospital) to care for the badly burned titular “English Patient,” who is also suffering from amnesia.