Confessions is set across several decades of recent history, in sections split between New York City and rural Donegal, Ireland. It is told from multiple perspectives, of women in different generations of the same family. It opens memorably on September 11, 2001, with Cora Brady wandering the streets of New York following the attacks, in which it rapidly becomes apparent that her father has died. In an absence of any other surviving family members, we learn that she is to move to Donegal to stay with her aunt Róisín. And that’s the last we hear from Cora for a while, as we first jump back and later forward in time to learn about the stories of her mother, aunt, and later her daughter.

The Second Coming is set primarily around 2011, but with leaps in time that take it 2022, 2001 and occasionally elsewhere.  It focuses on two primary characters - Jolie Aspern, a precocious and troubled 13-year-old living in New York with her mother Sarah, and her estranged father Ethan, an ex-convict and recovering addict.  It begins compellingly, with Jolie finding herself hospitalised following a narrow escape on Subway tracks, and Ethan receiving a call from Sarah that convinces him that he has something to offer her, and returns to New York to seek her out.

In Defence of the Act is told from the perspective of Jessica Miller, who is fascinated by the subject of suicide. She works in a lab which investigates suicide in animals, among colleagues she is sure have taken on that particular role with the view that their research will help understand and therefore prevent suicide in humans. Secretly, though, Jessica believes suicide may be - in some cases - a justified ‘act’ and even one which could be considered altruistic, or at least to the benefit of those who surround them. The roots of her unusual perspective are clearly in an incident in her childhood, in which she alerted her family to her father’s suicide attempt, therefore preventing it. He then went on to be consistently abusive, primarily to Jessica and her mother.

Ordinary Human Failings is set in London in 1990, as a housing estate community is rocked by the death of a toddler, with suspicion quickly falling on Lucy, the 10-year old daughter of an Irish family, the Greens. A tabloid journalist, Tom, is dispatched to investigate, with a strong focus on digging up dirt on the Green family, whose outsider, reclusive status means they are the inevitable target of attention for the crime. It’s pitched as a thriller, with a mystery to be solved, and Tom is convinced he’s going to be the one to solve it. He moves the family into a small hotel, plies them with drink and looks for the inevitable trauma that has led them here, and a motive for the crime.

Soldier Sailor is a brief but intense novel told by a mother (the titular ‘Soldier’) and addressed to her son (who she calls ‘Sailor’). Its not entirely clear from what remove it’s being written - the narrative jumps around so much that it’s hard to be certain - but it focuses on Sailor’s first two or three years of life, during which the narrator is practically fighting for survival as she struggles with the everyday demands of motherhood. She is left, like so many mothers, bearing virtually all of the work of bringing up her son, while her husband goes to work, watches football, and - most egregiously of all - sleeps. Through a series of traumatic vignettes (none more so than the novel’s opening section - in which she briefly abandons her child, having written a suicide note to him) we learn of Soldier’s despairing sense of alienation from the previous version of herself, who she sees as lost to the all-consuming mother who has replaced her. Throughout, though, there is also a near-unbearable sense of the desperate love of mother for child, culminating in a lyrical, beautiful final section in which Soldier contemplates their inevitable future separation: in spite of all the trauma of the present moment, the real source of fear in her life.

The Book of Form of Emptiness centres on Benny Oh, a young Canadian adolescent who has recently lost his father, the Korean-Japanese jazz musician Kenji, and now lives with his mother Annabelle. It is told by turns from the persepectives of a book (“the book”) and Benny himself, who debates with the seemingly autonomous book as it develops. Following the loss of his father (who was killed by a truck carrying live chickens as he lay passed out following a night smoking marijuana with his jazz band) Benny begins to hear voices in everyday objects. While initially harmless enough, following an incident with a pair of scissors who want him to stab his teacher, Benny is sent to a youth mental health facility. Meanwhile, Annabelle is struggling with the decline of her profession as a media monitoring researcher, and demonstrating (to Benny’s dismay) increasing tendencies towards hoarding.