Our London Lives is told from the alternating viewpoints of two Irish immigrants who meet in a central London pub in the 1970s. Milly is a bartender at a traditional city pub, catering for a diverse clientele covering locals, city workers, and most importantly, boxers from a neighbouring club. One of those is Pip, who we first encounter as an ex-convict who has just come out of rehab, in 2017 (the novel’s ‘present day’). Pip’s story is told entirely from the vantage point of that present day, with all the retrospective mix of nostalgia and regret that comes with that sort of angle. By contrast, Milly’s narrative unfolds chronologically, in the moment, through the years from the late 1970s through to, eventually, 2017. In her story there are large leaps and gaps that aren’t immediately filled in, but the two perspectives collide in a richly satisfying (though far from conclusive) ending.

Instructions for a Heatwave is set during the UK’s record-breaking 1976 heatwave and drought. It focuses on an Irish family, led by Gretta and Robert Riordan, who moved to London and raised three children, who have all now left home.. Robert goes out one morning for a newspaper and mysteriously disappears, which is the impetus for a re-grouping of the remaining family members, all of whom are dealing with their own issues and harbouring secrets.

You Are Here begins by introducing us to Marnie, a 38-year-old copy-editor living in London, a natural introvert who has become more and more reclusive over time, exacerbated by the Covid-induced move to remote work and a breakup with her ill-matched husband. Her friend Cleo, a teacher, has been trying to get her to re-emerge into the world, and against expectations, it’s a big trip to the north of England that finally works. Cleo’s colleague and friend Michael, a 42-year-old Geography teacher and general loveable nerd (also recently separated), is planning to walk the Coast-to-Coast path - crossing England from the Irish Sea in Cumbria to the North Sea in North Yorkshire. Cleo arranges a group of fellow adventurers - including Marnie - to join him for the first part of the trip in the Lake District.

Caledonian Road is set largely on and around the titular thoroughfare, which heads northwards from near London’s King’s Cross station. Its action takes place in the very recent past, in a year’s period between early 2021 (and the ending of major Covid restrictions) and early 2022 (with Russian’s invasion of Ukraine on the imminent horizon). It’s introduced (at least in this pre-release version) by an extensive list of characters, setting the tone for the sprawling, somewhat Dickensian nature of the 600-ish pages to follow. At its undoubted centre, though, is the aging white liberal academic Campbell Flynn, clearly something of a proxy for the author. Having worked his way up in society from humble Glaswegian roots, through a combination of academic achievement and marriage into minor aristocracy, Campbell is a lecturer at UCL, a published art historian (most recently of an acclaimed life of Vermeer), sometime glossy magazine columnist and podcaster. Yet he senses shifting sands in society, and mostly the ones that uphold everything that he holds dears. Campbell, like the liberal intelligentsia he represents, is in crisis. And so, it seems, are his city and his country.

The Fraud is a historical novel set across the nineteenth century and focusing on two apparently disconnected real-world storylines. One is the story of the Tichbourne Claimant, one of the longest trials in British legal history in which a butcher in Wagga Wagga, Australia comes forward claiming to be the presumed-dead minor British aristocrat Sir Roger Tichbourne. The other is the story of forgotten British novelist William Harrison Ainsworth, who mixes with a literary milieu including the likes of Dickens and Thackeray, has early-career success with ‘scandalous’ novels, one of which outsells Oliver Twist, but by the bulk of the novel’s story has fallen on tougher times and is something of a critical laughing stock.

Fire Rush is focused on Yamaye, a young woman of Jamaican heritage, living on the Tombstone Estate in suburban London in the late 1970s. Her mother is long gone, though remains a spectral presence in her life, and her father, while physically present, is cold and distant. She escapes into an underground culture of Caribbean music, centring on a local club called the Crypt, which is of course quite literally underground. She parties with her friends Asase and Rumer (the latter an Irish immigrant) and takes on the male-dominated club culture by developing her own knowledge of music and fierce line in lyrics which she begins to unleash at the Crypt. She meets a sensitive and romantic man, Moose, at the club, and the two fall in love and dream of escape to the Jamaican countryside

The Bottle Factory Outing focuses on two young women who live together in a bedsit in North London, while both also working as labellers in a wine-bottling factory. The factory is owned by the Italian Mr Paganotti, who filled most of the factory’s roles with Italians from his hometown who feel indebted to him as a result. In this space, the two English women are relative outsiders, treated with a mixture of suspicion and reverence by the Italian men.  

The Line of Beauty is a 1980s-set novel covered the peak years of Margaret Thatcher’s Conservative rule and the growth of the AIDS crisis. It focuses on Nick Guest, a recent Oxford graduate writing his PhD on Henry James. Now living in a Notting Hill townhouse belonging to the parents of his college friend (and crush) Toby Fedden. The patriarch of the family is Thatcher-obsessed MP Gerald Fedden, married to Rachel and also father to Catherine, a troubled character who forms a closer bond with Nick.

Offshore is a brief novel focusing on the lives of a small group of inhabitants of barges moored at Battersea Reach on the Thames. It focuses primarily on Nenna, a Canadian living on a small barge with her two daughters, obsessed with the idea of her husband returning to her.