Orbital is conceptually simple yet unique. It follows a single day aboard an international space station, where six astronauts and cosmonauts go about their work, maintaining their craft, conducting scientific experiments, exercising, and observing and recording activity on Earth as they hurtle around it at incomprehensible speed. In the twenty-four hours covered by this slim novel, its protagonists will observe sixteen sunrises and sunsets on the planet below. In between the details of the day, we get sketches of the lives the six crewmembers have left behind.

Prophet Song focuses on Eilish, a microbiologist and mother of four (ranging in age from a baby to a seventeen year old) living in Dublin. In the background is the looming threat posed by a new authoritarian government in Ireland. Her husband Larry is an official in the Teachers’ Union, at the start of the novel still absorbed in his work and organising protests against the new government, believing the protections he has been used to in a democratic society still apply. Relatively rapidly, though, we learn that this is a new and significantly darker world, in which protests are violently suppressed and Larry himself is taken in for questioning by the stasi-esque Garda National Services Bureau (GNSB). Within days, he has disappeared, along with many other men in Eilish’s immediate circle.

The Seven Moons of Maali Almeida is structurally a murder mystery, albeit one with significant twist.  In 1989, war photographer Maali Almeida finds himself in a highly bureaucratic version of the afterlife, in a kind of hinterland between life and passage to “The Light” in which he must solve the mystery of his own death in ‘seven moons’ (otherwise known as a week). It’s set against the backdrop of a particularly turbulent period is Sri Lanka’s troubled recent history, in which various factions including the Tamil Tigers, the marxist JVP, and the government’s own death squads are unleashing relatively indiscrimate violence on each other at a shocking rate.  

The Promise charts the decline of the white South African Swart family, at their farm outside Pretoria, over four decades. The novel covers the funerals of four out of five of the core family, against a backdrop of a changing South Africa, from the later years of Apartheid through the optimism of the Mandela years, Zuma-era corruption and into almost the present day.

Shuggie Bain is a deeply personal story, clearly heavily influenced by Stuart’s own childhood, of a caring but “different” child, Hugh “Shuggie” Bain growing up in 1980s Glasgow with his alcoholic mother, Agnes. The book begins with the pair (and Shuggie’s two siblings Leek and Catherine) living with Agnes’ parents and Shuggie’s father “Shug” in Glasgow tenements. Shug moves the family to the isolated mining “scheme” accommodation of Pithill, before abandoning them to move in with another woman. Agnes is glamorous but unfulfilled, taking refuge in alcohol which worsens as her parents die and her daughter marries young and moves to South Africa.

The Testaments revisits Gilead (the setting of The Handmaid’s Tale) via a number of new perspectives, each shedding new light on the dystopian world Atwood created some three and half decades previously. The first is a covert diary written to a future audience by The Handmaid’s Tale’s fearsome Aunt Lydia, describing how she became a part of the regime as well as how she comes to subtly undermine it from inside; the second a testimony from Agnes, a girl who has grown up knowing nothing other than the Gilead regime; and the third from Daisy, a teenager in Toronto who has viewed Gilead from the outside, but will have to face its realities first hand (for various spoilerish reasons.)

Girl, Woman, Other follows the lives of 12 characters, predominantly black and female, in the UK over the course of the twentieth and early twenty-first century. Each of the 12 main sections is told in the voice of those characters, whose lives cross over, in some cases intimately and in others highly tangentially, with the other characters in the book. The first chapter focuses on the build-up to the launch of its central character, Amma's new play, The Last Amazon of Dahomey, opening at the National Theatre. The final chapter takes place at the play's afterparty, at which many of the present-day characters are present or in the minds of those attending.

Milkman is told in the distinctive voice of an unnamed 18-year-old "middle sister" trying to go about her life in an unnamed city in peak-Troubles Northern Ireland. She is stalked and harrassed by a 41-year-old paramilitary officer known only as "Milkman". False rumours spread that she is in a relationship with this character, affecting her relationship with her mother, the wider community, and her "maybe-boyfriend".

Lincoln in the Bardo focuses on the death of Abraham Lincoln's son Willie. It focuses (not sequentially) on the build-up to his death (in which the Lincoln's host a party while Willie lies bed-ridden), his death itself, and the aftermath, in which the grieving president visits his son's crypt and holds his body, all apparently based in historical fact. So far, so simple? Well… the above summary does absolutely no justice to what this novel actually is, which is a joyously unusual thing that mixes historical accounts (real and invented) of those events with a wild supernatural narrative set in the "bardo", a Buddhist term for the "intermediate state" between death and resurrection.

The Sellout takes place in the fictional town of Dickens, California, an agrarian town around LA. It begins with its narrator, an African-American farmer whose father has recently been unjustly killed by police, known only as "Me", or "Bonbon" - a nickname, standing trial before the Supreme Court for crimes related to his attempt to restore slavery and segregation in Dickens. What follows is an examination of the alternately painfully real and highly surreal events that led to this seemingly absurd scenario.

A Brief History of Seven Killings is about an attempt on the life of Bob Marley in 1976. Except, of course, it’s about far more than that. It’s also far from brief at almost 700 dense pages, and covers considerably more than seven killings, typically in graphic and visceral detail. It’s actually about several decades of complex and violent Jamaican history, told through a multiplicity of voices from gang leaders to politicians, journalists and seemingly peripheral “ordinary” people. Oh, and a ghost. Because of course.

The Narrow Road to the Deep North tells the story of Dorrigo Evans, a famed war veteran and public figure in his later years, who considers his accolades to be unjustly earned. The novel reflects on major moments in his life, most centrally his role in the Australian Imperial Force during World War II and his regiment's internment as hard labourers on the notorious Burma Death Railway. In this period he is reluctantly installed as the commander of his regiment in the camp, and is forced into making numerous impossible choices that will inevitably lead to the death of his comrades. Against this is a constant thread focusing on his obsession with his brief affair with his uncle's wife, Amy, prior to the war, and his ongoing post-war infidelities to his wife and mother of his children, Ella.

The Luminaries takes us to New Zealand, during the Gold Rush years in the mid Nineteenth Century. In straightforward plot terms, it’s a mystery novel centering on the aftermath of a series of seemingly disconnected events in the town of Hokitika. Central is the death of a little-known hermit, Crosbie Wells, alongside the disappearance of a rich young prospector, Emery Staines, and the arrest of opiate-addicted prostitute Anna Wetherell.

Bring Up the Bodies is the sequel to Mantel's 2009 Booker winner, Wolf Hall. It continues to follow the life of Thomas Cromwell, blacksmith's son now risen to Master Secretary to the King's Privy Council. King Henry VIII is tiring of his second wife Anne Boleyn, who has yet to bear him a male heir, and beginning to fall in love with Jane Seymour, a former attendant to the Queen and inhabitant of Wolf Hall.

The Sense of an Ending is a short novel narrated by a retired, divorced man named Tony Webster. Its first part sees him recalling a series of incidents from his schooldays, largely concerning his group of intellectual / pretentious friends, of which the most significant is the newcomer Adrian. Eventually the two head off to separate universities where Tony has a short, unsatisfying relationship with a girl called Veronica, which involves an awkward visit to her family, and a meeting with his schoolfriends in London. Towards the end of his degree, he finds out that Adrian is dating Veronica. Not long afterwards, he finds out that Adrian has committed suicide, with a letter to the coroner citing philosophical reasons, which Tony admires.

The Finkler Question is a comic but thought-provoking novel focusing largely on the lives and relationships between three men. Julian Treslove is a former BBC radio producer, drifting through middle age with a lack of direction and stable relationship, and working as an impersonator of various Hollywood stars. He is friends with two men who are both recently widowed: Sam Finkler, his old school friend, is a popular Jewish philosopher and TV personality, and Libor Sevcik is their former teacher and a former Hollywood gossip columnist, nearing ninety.

The Inheritance of Loss is a novel that focuses on the diverse experiences of the inhabitants of a decaying colonial-era mansion in Kalimpong, and their relatives and friends. The primary focus is on two characters: Sai, an orphan living with her grandfather, retired judge Jemubhai Patel; and Biju, the son of the house's cook, who is living in New York illegally.

The Line of Beauty is a 1980s-set novel covered the peak years of Margaret Thatcher’s Conservative rule and the growth of the AIDS crisis. It focuses on Nick Guest, a recent Oxford graduate writing his PhD on Henry James. Now living in a Notting Hill townhouse belonging to the parents of his college friend (and crush) Toby Fedden. The patriarch of the family is Thatcher-obsessed MP Gerald Fedden, married to Rachel and also father to Catherine, a troubled character who forms a closer bond with Nick.

Disgrace is told from the perspective of David Lurie, a divorced literature professor at a university in post-Apartheid Cape Town. The first half of the novel details Lurie’s life as an aging academic and Byron obsessive, satisfying himself with weekly visits to prostitutes. He loses everything following his pursuit and eventual rape of a young female student, and subsequent refusal to co-operate with an enquiry that seems designed to protect him.

The Remains of the Day focuses on Stevens, an experienced butler at the top of his trade, but coming towards his twilight years, and in the employ of a newly-arrived American businessman following years of dedicated service to the aristocratic Lord Darlington. The first-person narrative is located in the 1950s, with Stevens in charge of much-reduced staff from his glory days, and beginning to notice small errors in his previously perfectionist work. He accepts his employer’s offer of a break, for the purposes of which he borrows his car and heads off on a tour of the South West of England, part of which will involve a visit to an old colleague, Miss Kenton.