Held is a very difficult book to summarize in a short paragraph. In some sort of roundabout fashion, it’s a ‘grand historical sweep’ and a family saga, two things I usually very much enjoy. It begins in the trenches of the First World War, before we follow fairly logically into its aftermath, with the return of a soldier to something approaching ‘normal’ life in an early photography studio. In that same section, it takes a leap towards the supernatural, as the faces of his subjects’ loved ones begin appearing in his images. From here, things begin (deliberately) to fall apart, as the ‘novel’ (in as much as it is one) becomes progressively more fragmentary as it travels though the twentieth century and beyond, encountering along the way several generations of descendants of the original characters and the occasional famous figure like Ernest Rutherford or Marie Curie.

Stone Yard Devotional begins with its nameless female narrator attending a retreat at a nunnery close to her rural New South Wales childhood hometown. We learn that after several visits, she has decided to live at the nunnery permanently. Ostensibly a reaction to the grief caused by the early death of her mother, her decision to retreat from society seems to be based more broadly on her ‘giving up’ on the modern world and the passions and causes she followed in her previous life( in which she was clearly passionately committed to charity and a degree of activism) in favour of a simpler, quieter life. We learn that in this process she has ended a long-term relationship.

Creation Lake is told from the perspective of a spy for hire (and former federal agent) known for the purposes of her current assignment as "Sadie Smith". She is in the process of infiltrating an agrarian commune of eco-leftists in France, known as the Moulinards. In order to do so, she has entered into a serious ‘relationship’ with a filmmaker called Lucien, who is close to the Moulinards' day-to-day leader, Pascal.

The Safekeep begins in the early 1960s in the rural Dutch province of Overijssel. We meet the book’s central character, Isabel, who lives alone in her family home, following her mother’s death. She obsessively tends to the house, while knowing she is only a temporary occupant. The house will eventually pass to her elder brother Louis, who like her other brother Hendrick has no interest in living in the house, having left and embraced city life. The three siblings meet for a dinner early in the book, at which Louis introduces his latest girlfriend Eva, to whom Isabel is openly and viciously rude. When Louis is later called away for work, he insists that Eva stay in the family home with Isabel, much to the latter’s dismay.

In the novel, both Khaled and Mustafa are shot at the protest and hospitalised. From this point, they are unable to return to their home country. The book explores the subsequent relationship, and eventual diverging paths, of the two friends, along with a third, the enigmatic author Hosam. The latter is introduced early in the novel as an inspirational figure in Khaled's life, after hearing his poem read out - unusually in lieu of a news broadcast - on the BBC Arabic World Service, by a presenter who would soon after be murdered in London (another event based closely on real events). Khaled later meets Hosam by chance in Paris, before the writer (no longer writing) joins him in London and becomes a lasting friend.

Headshot is a short novel, tightly structured around a female youth boxing tournament, which takes place over a single weekend in Reno, Nevada. It follow’s the tournament’s eight participants through the tournament’s order of play, from the initial knockout matches, to the semi-finals and the final. Through each bout, we are transported back and forth in the boxers’ lives, in snippets that illuminate both their backgrounds and, more surprisingly perhaps, their future lives.

Orbital is conceptually simple yet unique. It follows a single day aboard an international space station, where six astronauts and cosmonauts go about their work, maintaining their craft, conducting scientific experiments, exercising, and observing and recording activity on Earth as they hurtle around it at incomprehensible speed. In the twenty-four hours covered by this slim novel, its protagonists will observe sixteen sunrises and sunsets on the planet below. In between the details of the day, we get sketches of the lives the six crewmembers have left behind.

This Strange Eventful History covers the lives of three generations of a Franco-Algerian family, the Cassars, from 1940 to 2010. It begins with a couple of maps that highlight key locations in the novel, alerting us early on to a recurrent theme of the novel, that of dislocation and a lack of a discernable 'home', for a community (of which Messud herself is a direct descendant) represented by the novel's central family.

Playground focuses primarily on four characters, who we know will come to share a connection. In Montreal, Evie Beaulieu is introduced in dramatic fashion, as a 12-year-old plunging to the bottom of a swimming pool, strapped to one of the first aqualungs by her father, and grows to love the ocean and everything connected to it. In Chicago, two super-smart kids with vastly differing backgrounds bond at an elite high school over their love of sophisticated board games. And finally there’s Ina Aroita, who has to my memory a far less memorable introduction, but is apparently considered to be one of the four main players also.

James is, in its simplest sense, a retelling of Mark Twain's classic The Adventures of Huckleberry Finn, from the perspective of the slave Jim. The original is loved and criticised (particularly around its complex handling of race relations) in equal parts, and Everett engages with it with a similar mix of obvious love for the source material and a clear sense of purpose in its interrogation of some of its more problematic aspects.