We Pretty Pieces of Flesh follows three childhood friends (Rach, Kel and Shaz) from their first days at secondary school in Doncaster, through their teenage years together and later years apart, culminating in a reunion night out when potentially explosive secrets simmer under the surface. It’s written in impressively well-rendered local dialect, and is at heart a coming of age story, depicting the ups and downs of the teenage trio, and reflecting on where those years have led them - examining the bonds of friendship and as well as the forces that can tear them apart.

The Mars Room has as its protagonist Romy Hall, a San Francisco single mother and erstwhile stripper who is serving two life sentences in Stanville Correctional Facility for murder. She has killed a man, that much is true, but a man who was going to great lengths to stalk her, having struck up what he saw as a ‘relationship’ in the Mars Room, the strip club Romy performed in. That she has committed a crime is not disputed, but the fragments we see of her trial expose the fact that the criminal justice system leaves no room for nuance. Her primary concern in prison is initially survival, but shifts to the wellbeing of her young son Jackson once she hears that her mother, his guardian, has died.

Confessions is set across several decades of recent history, in sections split between New York City and rural Donegal, Ireland. It is told from multiple perspectives, of women in different generations of the same family. It opens memorably on September 11, 2001, with Cora Brady wandering the streets of New York following the attacks, in which it rapidly becomes apparent that her father has died. In an absence of any other surviving family members, we learn that she is to move to Donegal to stay with her aunt Róisín. And that’s the last we hear from Cora for a while, as we first jump back and later forward in time to learn about the stories of her mother, aunt, and later her daughter.

Held is a very difficult book to summarize in a short paragraph. In some sort of roundabout fashion, it’s a ‘grand historical sweep’ and a family saga, two things I usually very much enjoy. It begins in the trenches of the First World War, before we follow fairly logically into its aftermath, with the return of a soldier to something approaching ‘normal’ life in an early photography studio. In that same section, it takes a leap towards the supernatural, as the faces of his subjects’ loved ones begin appearing in his images. From here, things begin (deliberately) to fall apart, as the ‘novel’ (in as much as it is one) becomes progressively more fragmentary as it travels though the twentieth century and beyond, encountering along the way several generations of descendants of the original characters and the occasional famous figure like Ernest Rutherford or Marie Curie.

Stone Yard Devotional begins with its nameless female narrator attending a retreat at a nunnery close to her rural New South Wales childhood hometown. We learn that after several visits, she has decided to live at the nunnery permanently. Ostensibly a reaction to the grief caused by the early death of her mother, her decision to retreat from society seems to be based more broadly on her ‘giving up’ on the modern world and the passions and causes she followed in her previous life( in which she was clearly passionately committed to charity and a degree of activism) in favour of a simpler, quieter life. We learn that in this process she has ended a long-term relationship.

Creation Lake is told from the perspective of a spy for hire (and former federal agent) known for the purposes of her current assignment as "Sadie Smith". She is in the process of infiltrating an agrarian commune of eco-leftists in France, known as the Moulinards. In order to do so, she has entered into a serious ‘relationship’ with a filmmaker called Lucien, who is close to the Moulinards' day-to-day leader, Pascal.

The Safekeep begins in the early 1960s in the rural Dutch province of Overijssel. We meet the book’s central character, Isabel, who lives alone in her family home, following her mother’s death. She obsessively tends to the house, while knowing she is only a temporary occupant. The house will eventually pass to her elder brother Louis, who like her other brother Hendrick has no interest in living in the house, having left and embraced city life. The three siblings meet for a dinner early in the book, at which Louis introduces his latest girlfriend Eva, to whom Isabel is openly and viciously rude. When Louis is later called away for work, he insists that Eva stay in the family home with Isabel, much to the latter’s dismay.

In the novel, both Khaled and Mustafa are shot at the protest and hospitalised. From this point, they are unable to return to their home country. The book explores the subsequent relationship, and eventual diverging paths, of the two friends, along with a third, the enigmatic author Hosam. The latter is introduced early in the novel as an inspirational figure in Khaled's life, after hearing his poem read out - unusually in lieu of a news broadcast - on the BBC Arabic World Service, by a presenter who would soon after be murdered in London (another event based closely on real events). Khaled later meets Hosam by chance in Paris, before the writer (no longer writing) joins him in London and becomes a lasting friend.

Headshot is a short novel, tightly structured around a female youth boxing tournament, which takes place over a single weekend in Reno, Nevada. It follow’s the tournament’s eight participants through the tournament’s order of play, from the initial knockout matches, to the semi-finals and the final. Through each bout, we are transported back and forth in the boxers’ lives, in snippets that illuminate both their backgrounds and, more surprisingly perhaps, their future lives.

Orbital is conceptually simple yet unique. It follows a single day aboard an international space station, where six astronauts and cosmonauts go about their work, maintaining their craft, conducting scientific experiments, exercising, and observing and recording activity on Earth as they hurtle around it at incomprehensible speed. In the twenty-four hours covered by this slim novel, its protagonists will observe sixteen sunrises and sunsets on the planet below. In between the details of the day, we get sketches of the lives the six crewmembers have left behind.

This Strange Eventful History covers the lives of three generations of a Franco-Algerian family, the Cassars, from 1940 to 2010. It begins with a couple of maps that highlight key locations in the novel, alerting us early on to a recurrent theme of the novel, that of dislocation and a lack of a discernable 'home', for a community (of which Messud herself is a direct descendant) represented by the novel's central family.

Playground focuses primarily on four characters, who we know will come to share a connection. In Montreal, Evie Beaulieu is introduced in dramatic fashion, as a 12-year-old plunging to the bottom of a swimming pool, strapped to one of the first aqualungs by her father, and grows to love the ocean and everything connected to it. In Chicago, two super-smart kids with vastly differing backgrounds bond at an elite high school over their love of sophisticated board games. And finally there’s Ina Aroita, who has to my memory a far less memorable introduction, but is apparently considered to be one of the four main players also.

Oiur Evenings has a lot about it that will be familiar to Hollinghurst fans. Its protagonist, David Win, is a mixed-race child of a single parent, from the lower middle classes (his mother runs a small dressmaking business) in rural Southern England. He is a scholar at a prestigious fee-paying boys’ school, the recipient of an exhibition awarded by the arts benefactor Mark Harlow. The novel’s early chapters detail events during David’s time at that school, including a weekend at the Harlows’ country home, and an adventurous school ‘challenge’ in which he is paired with the Harlows’ son Giles (who we know from the book’s flash-forward introduction is to become a notorious right-wing politician and Brexit architect). David makes his way in life, developing an interest in acting and generally doing reasonably (if unspectacularly) well, all the while contending with his points of difference.

Our London Lives is told from the alternating viewpoints of two Irish immigrants who meet in a central London pub in the 1970s. Milly is a bartender at a traditional city pub, catering for a diverse clientele covering locals, city workers, and most importantly, boxers from a neighbouring club. One of those is Pip, who we first encounter as an ex-convict who has just come out of rehab, in 2017 (the novel’s ‘present day’). Pip’s story is told entirely from the vantage point of that present day, with all the retrospective mix of nostalgia and regret that comes with that sort of angle. By contrast, Milly’s narrative unfolds chronologically, in the moment, through the years from the late 1970s through to, eventually, 2017. In her story there are large leaps and gaps that aren’t immediately filled in, but the two perspectives collide in a richly satisfying (though far from conclusive) ending.

Instructions for a Heatwave is set during the UK’s record-breaking 1976 heatwave and drought. It focuses on an Irish family, led by Gretta and Robert Riordan, who moved to London and raised three children, who have all now left home.. Robert goes out one morning for a newspaper and mysteriously disappears, which is the impetus for a re-grouping of the remaining family members, all of whom are dealing with their own issues and harbouring secrets.

The Second Coming is set primarily around 2011, but with leaps in time that take it 2022, 2001 and occasionally elsewhere.  It focuses on two primary characters - Jolie Aspern, a precocious and troubled 13-year-old living in New York with her mother Sarah, and her estranged father Ethan, an ex-convict and recovering addict.  It begins compellingly, with Jolie finding herself hospitalised following a narrow escape on Subway tracks, and Ethan receiving a call from Sarah that convinces him that he has something to offer her, and returns to New York to seek her out.

Brotherless Night begins in Jaffna, in the Tamil-dominated north of Sri Lanka, in the early 1980s.  Sixteen-year-old Sashi is studying hard, dreaming of going to medical school with her brothers and friend K.  Her life is slowly torn apart with the onset of the Sri Lankan Civil War. While staying with her Grandmother in Colombo in 1983, she finds herself caught up anti-Tamil riots. Her eldest brother is killed and her grandmother’s house burnt down. Subsequently two of her brothers join the Tamil Tigers, and her fourth brother briefly detained by authorities before departing for England.

The Wren, The Wren is told from the perspective of three members of the same family. We begin from the perspective of Nell, a student and latterly author of clickbait-y online journalism, who is keen to break away from her claustrophobic relationship with her mother. This perspective alternates through most of the book with that of her mother Carmel, who has raised Nell alone after a brief affair. Looming over them both is the long shadow of Carmel’s poet father Phil., a womaniser who channels most of hs useful energy into poetry and otherwise appears as something of a moral and emotional vaccum. His nature-focused poems are dotted through the book, and we also get one chapter from his perspective towards the end.

Restless Dolly Maunder is the fictionalised story of Grenville’s grandmother, with the author trying to make sense of her mother’s distant and cold impression of the former by imagining the motivations and emotions that drove her ‘restless’ life. It begins with Dolly’s childhood, on a farm in New South Wales in the late nineteenth century. Dolly is a bright and promising pupil at the local one-room school, but grows up in an era when it’s practically unheard of for women to progress in education and take on a job of their own. Her ambition to become a teacher is futile, as teachers must relinquish their role upon marriage, an inevitability for a young woman of her time. Besides, her father couldn’t bear the shame of having a working daughter! ‘Over my dead body’ is his response to her request, and a phrase that haunts Dolly for the rest of her life.