Playground focuses primarily on four characters, who we know will come to share a connection. In Montreal, Evie Beaulieu is introduced in dramatic fashion, as a 12-year-old plunging to the bottom of a swimming pool, strapped to one of the first aqualungs by her father, and grows to love the ocean and everything connected to it. In Chicago, two super-smart kids with vastly differing backgrounds bond at an elite high school over their love of sophisticated board games. And finally there’s Ina Aroita, who has to my memory a far less memorable introduction, but is apparently considered to be one of the four main players also.

The Second Coming is set primarily around 2011, but with leaps in time that take it 2022, 2001 and occasionally elsewhere.  It focuses on two primary characters - Jolie Aspern, a precocious and troubled 13-year-old living in New York with her mother Sarah, and her estranged father Ethan, an ex-convict and recovering addict.  It begins compellingly, with Jolie finding herself hospitalised following a narrow escape on Subway tracks, and Ethan receiving a call from Sarah that convinces him that he has something to offer her, and returns to New York to seek her out.

Mrs Gulliver is set in the 1950s, on the fictional Verona Island, which seems to be off the coast of the US, in the Carribbean. Here, prostitution is legal, and Lila Gulliver (not her real name) runs one of the island’s more reputable establishments. She cares for her ‘girls’, and they live an ostensibly convivial and communal life in her ‘house’ in the centre of town, albeit one in the shadow of both local criminal gang warfare and the ever-present threat to its girls’ safety from its male clientele. The novel begins with Mrs Gulliver being introduced to the Bercy sisters, destitute following the death of their formerly prosperous (but latterly penniless) uncle. The younger sister, Carità, is both beautiful and, intriguingly to Gulliver and her ‘majordomo’ Brutus, blind. She is taken on board, with Mrs Gulliver evidently feeling a special responsibility for her welfare.

James is, in its simplest sense, a retelling of Mark Twain's classic The Adventures of Huckleberry Finn, from the perspective of the slave Jim. The original is loved and criticised (particularly around its complex handling of race relations) in equal parts, and Everett engages with it with a similar mix of obvious love for the source material and a clear sense of purpose in its interrogation of some of its more problematic aspects.

Pew introduces us to a fairly unique character: nameless, of indeterminate age, gender and race, seemingly mute and amnesiac. They are named Pew by a family who find them sleeping on a church pew (as others have commented: in the manner of naming a pet). Pew's origins and identity are shrouded in mystery, and the Christian Bible Belt community they find themself taken in by is determined to solve that mystery. Alongside this, there is something strange going on in a nearby town, with its own community engaging in protests in the face of a spate of 'disappearances' of young people. In Pew's own town, it's the week of an annual 'festival' which sounds more and more sinister as we learn more about it.

Help Wanted takes place in a large chain "big-box" store in upstate New York, and shifts focus between the employees of its "Movement" (aka Logistics) team as they race to complete their repetitive tasks in the early hours of the morning, snark about their awful middle-manager Meredith, and eventually plot to attempt to have her replaced.

If I Survive You is a mostly linked short story collection, based on the immigrant experience of a Jamaican family who moved to Miami following the turbulence in their home country in the 1970s. For much of the book, our focus is the somewhat autobiographical-seeming life of Trelawny, the family’s younger son, though we do also get stories told from the perspective of his father, his older brother Delano, and in the biggest departure of the collection, his cousin Cukie. The book deals with the struggle of survival in the face of everyday racism in the US, exacerbated by crises both personal and national - the latter including the major (and disproportionately racialised) impact of Hurricane Andrew and the 2008 Financial Crisis.

This Other Eden is a fictionalised version of the story of Malaga Island, off the coast near Portland, Maine. The small island was historically home to a mixed interracial community from the Civil War until 1911, when all of its residents were forcibly evicted by the state. Relatively little is conclusively known about the origins of the settlement on the island, with much of its history until recently only having been told by prejudiced accounts which treated the islanders as outcasts and 'degenerates'. Harding creates a version of the island's history, renaming it Apple Island after the dreams of his version of the first settlers, an escaped slave and his Irish wife.

An American Marriage is focused on the marriage of a middle-class Black American couple from Atlanta, Georgia. Roy, a sales representative who has worked his way up from a relatively poor background, and Celestial, an artist who makes dolls from a more wealthy family, are introduced as newlyweds. The novel begins with a fairly domestic focus, with the pair arguing over their respective relationships with their parents and suchlike. Their lives are turned upside down when Roy is arrested and imprisoned for raping a woman in a motel, a crime he plainly did not commit, after only 18 months of marriage.

Biography of X is an elaborately constructed fictional biography a female artist, author and musician known only as X. It is written in the persona of C.M. Lucca, X's widow, and supposedly published in 2005 as the conclusion of a decade's research following X's death and initially in response to another, inaccurate, biography.

Demon Copperhead is an epic retelling of Charles Dickens’ David Copperfield, transplanted to the recent history of the USA, and specifically Appalachia. It’s told through the eyes of its title character (real name Damon Fields) who we first meet as a child born into poverty, looked after by his addict mother in :Lee County, Virginia. Its plot closely follows that of its source material, particularly in the early stages where Demon first struggles with an abusive stepfather and is then orphaned, becoming thrown into a cycle of disastrous foster homes that wear him down to the point where it seems he can go no lower.

Homesick is a childhood memoir / coming of age story of a girl called Amy, who is seemingly a reasonably direct proxy for Croft herself. Central to the story is her relationship with her younger sister Zoe The two are initially inseparable, with a unique bond that they supplement with the creation of their own unique symbol-based language. When Zoe develops a life-changing illness, Amy becomes wracked with guilt, which only seems to expand when she moves away to college at just fifteen, accepted on the basis of her prodigious grasp of Russian. Along the way, there are also explorations of young love, as both girls become obsessed by their language tutor; grief, as they deal with an unexpected suicide; and of course language itself.

May We Be Forgiven is told from the perspective of Harry Silver, a professor with a specialism in (and obsession with) Richard Nixon. In the novel’s horrific first chapter, his brother George causes a car accident in which two people die, orphaning their child, and is committed to a mental institution.  While George is committed, Harold commences an affair with his wife Jane. George walks out of hospital and finds the pair in bed together, and murders his wife with a bedside lamp. 

For the first time on here I’m tackling a collection of short stories. Liberation Day contains nine of them, with no immediately obvious uniting theme. They move between realist character studies, packed with humour and insight, and much darker mini-dystopias.

The Lacuna focuses on the life of the fictional author Harrison Shepherd, beginning with his childhood in Mexico in the 1930s and taking us through to the 1950s., interacting with significant moments and characters of historical significance along the way. We learn early on that he has kept diaries for much of his life, albeit with some important gaps (one of the lacunae that the title alludes to) and while the narrative is largely told through his diaries, it is mediated by a curatorial presence, the initially mysterious “VB”, and also punctuated by press clippings both real and invented.

Home is not a straightforward sequel to Robinson’s much-feted Gilead, but more of a companion piece, looking at a similar time period from different perspectives. In it, she shifts the focus to John Ames’ lifelong friend and friendly adversary in religious discussion, the Rev. Robert Boughton. It focuses primarily on three characters: the Rev. Boughton himself, who is aging and sick, and reflecting on his life and that of his family; his daughter Glory (probably the primary focus of this one) who has returned home in her late 30s, ostensibly to help him; and his ‘prodigal son’ Jack who arrives a little way into the novel following an absence of around twenty years.

Erasure focuses on the author Thelonius “Monk” Ellison. In the mid-1990s, we find him in a rut with his writing, tired of being told by those around him in the publishing industry that he’s “not black enough". He’s an academic and his work reflects his own interests, such as modern retellings of Greek satires, and pissing off those around him with provocations that are of deeply niche interest - such at his lecture which parodies Barthes’ S/Z in the style of Barthes’ S/Z (a provocation to the average reader of Erasure, too, when this lecture is reproduced in exhaustive detail early in the book!) Outside of his writing, he’s dealing with everyday realities of life: a mother succumbing to Alzheimers, a brother who comes out of the closet - destroying his marriage, and a sister who pays the ultimate price for her work at an abortion clinic.

My Name is Lucy Barton introduces the New York-based author of its title. We find her recovering from an infection in hospital, where she is visited by her mother. Through their awkward but often moving interactions, and Lucy’s interior reflections, we learn - slowly, through drips of information - about Lucy’s troubled upbringing in the isolated rural town of Amgash, Illinois.

Oh William! returns to life of author Lucy Barton, heroine of Strout’s 2016 novel.  We find her a little later in life, having recently been widowed following the death of her second husband David.  Much of this novel focuses on her relationship with her first husband William, who also remarried but is left alone again part-way through the book.  Lucy herself is now a successful novelist, comfortable in New York and far away from her troubled childhood in Amgash, Illinois. 

The Trees is a vicious, riotous satire that deals with the subject of lynching in the US through the twentieth century. In Money, Mississippi, a white man is found brutally murdered - garrotted by barbed wire and castrated - next to another body, that of a mutilated Black man who looks curiously like Emmet Till, who was the real-world victim of a lynching in Mississippi in 1955, aged just 14. Several more deaths occur, with the same body appearing next to them. Soon, similar incidents are occurring across the whole of the US. The set up is one of a murder mystery, albeit one that initially seems to have potentially supernatural connotations.