Treacle Walker is a short and highly distinctive novel. In it, a young boy call Joseph Coppock, in recovery from illness and suffering from a lazy eye, has an encounter with the titular rag-and-bone man, with whom he makes a trade of his dirty pyjamas and an old lamb bone, receiving in return an empty jar of medicine and a donkey stone. In its few pages, Joseph encounters a naked ‘bog man’ named Thin Amren, sees characters from his Knockout comic leap off the page and join him in a reality-bending adventure involving mirrors and marbles, communes with cuckoos and learns via a visit to an optician that he sees different realities through his good and bad eyes.

The Seven Moons of Maali Almeida is structurally a murder mystery, albeit one with significant twist.  In 1989, war photographer Maali Almeida finds himself in a highly bureaucratic version of the afterlife, in a kind of hinterland between life and passage to “The Light” in which he must solve the mystery of his own death in ‘seven moons’ (otherwise known as a week). It’s set against the backdrop of a particularly turbulent period is Sri Lanka’s troubled recent history, in which various factions including the Tamil Tigers, the marxist JVP, and the government’s own death squads are unleashing relatively indiscrimate violence on each other at a shocking rate.  

Glory is a satirical allegory of the circumstances surrounding the end of Robert Mugabe’s decades of rule in Zimbabwe in 2017, and his replacement by his former Vice President Emmerson Mnangagwa. It uses a cast of animals in place of humans, enabling it to blend direct retelling of history with fantastical satire that becomes a broader commentary on dictatorships, tyrannical rulers, and the state of the modern world in general

Small Things Like These is simply a beautiful read. Its slim page-count contains a surprising amount of depth, both in terms of plot and emotional punch. The present-day narrative is set in mid-1980s Ireland, where coal and timber merchant Bill Furlong is preparing for Christmas with his wife and four daughters, as well as going about his work as usual, at a busy time of year. This work takes him to the local nunnery, which is a Magdalene Laundry site. His reaction to what he finds there, coupled with his reflections on his own upbringing as the child of a poor single mother, form the core of the novel and the impetus for its unifying theme.

We Need To Talk About Kevin is told from the perspective of Eva Khatchadourian, a comfortably well-off former author and publisher of a series of travel guides.  It’s structured around a series of letters she writes to her partner, Franklin, in the years after their troubled son Kevin killed nine people in a high-school massacre, and was subsequently incarcerated for his crime. 

Nightcrawling tells the story of 17-year-old Kiara, a black girl living in poverty in Oakland, California.  Her situation is unenviable: her father dead, her mother imprisoned for a fairly horrifying reason, and taking responsibility for both her feckless aspiring-rapper brother and her virtually abandoned young neighbour Trevor. In desperation, she takes to the streets, where she is eventually picked up and abused by a gang of truly repulsive police officers and eventually finds herself at the centre of a court case against the police force. 

Booth is the story of the eponymous Booth family, across much of the nineteenth century. Ostensibly, it’s about the build-up to the assassination of Abraham Lincoln by the family’s most infamous son, John Wilkes Booth. But it’s really about much more than that. Its extensive scope touches on family dynamics, generational shifts, the Civil War and abolition of slavery in the US, the world of the Theatre in which the Booth family are embedded, and a whole lot more. Fowler began writing the novel while considering one of many recent mass shootings in the States: how might the perpetrator’s family be impacted? Her informative author’s note at the novel’s conclusion also highlights that she stopped writing for some time around the election of Trump, before realising that in writing Booth she was engaging with issues that were still very much present in the modern world.

Maps of Our Spectacular Bodies is a unique read, flitting back and forth between its protagonist Lia (a mother, wife and creative who has just received a terminal cancer diagnosis) and an unnamed second narrator who may or may not be the cancer itself. It plays with the novel form both in this sense and in its heavy borrowings from the world of poetry, with the text often deviating wildly from novelistic convention and into visual / concrete poetry modes. It’s drawn from personal experience of losing a mother to cancer, and amongst the formal experimentation is a relatively familiar and yet deeply emotive story of coming to terms with (or failing to come to terms with) death and reflecting on life - both the good and the bad.

Small Island is mainly set in 1948, in a London still rebuilding after the war. Its main focus is on four characters who end up living in the same house. They are the house’s owner Bernard Bligh, his wife Victoria “Queenie” Bligh and two of their lodgers, both recently arrived from Jamaica, Gilbert Joseph and Hortense, his wife.  The novel jumps back and forward in time, with the “Before” sections covering the early life of all of the characters, including their wartime experiences. 

Property is told from the perspective of Manon Gaudet, the wife of a slave-owning sugar plantation owner in the Louisiana countryside in the 1820s. We initially have some sympathy for Manon, as we are introduced to her cruel and abusive unnamed husband through her eyes. Unhappy in her arranged marriage, her hatred for her husband is compounded by his frequently consummated obsession with the young slave Sarah, with whom he has two children (including a child revealed to be deaf), while Manon remains childless.

Alias Grace is based on the true story, well known in Atwood’s Canada, of the murders of Thomas Kinnear and his housekeeper Nancy Montgomery in 1843. Atwood focuses mainly on one of the accused murderers, Grace Marks, a servant in Kinnear’s household along with James Montgomery, who was hanged for the murders while Grace was sentenced to life.  

Bel Canto takes place in the initially plush surroundings of a party held at the residence of the Vice President of an unnamed South American country, in honour of the head of a Japanese corporation, Mr. Hosokawa. The powerful businessman is there to be wooed into a potential investment in the country, and has been tempted to attend a birthday party in his honour by the presence of world-famous opera singer Roxanne Coss, with whom he is (artistically) obsessed.

The Bottle Factory Outing focuses on two young women who live together in a bedsit in North London, while both also working as labellers in a wine-bottling factory. The factory is owned by the Italian Mr Paganotti, who filled most of the factory’s roles with Italians from his hometown who feel indebted to him as a result. In this space, the two English women are relative outsiders, treated with a mixture of suspicion and reverence by the Italian men.  

The Idea of Perfection takes place in Karakarook, a tiny New South Wales town in the middle of nowhere. At around the same time, two outsiders arrive in town for work-related purposes. Harley Savage is a part-time museum curator and textile artist, who has departed "the city" to help Karakarook with its "heritage"; Douglas Cheeseman is a vertigo-afflicted bridge engineer with a fascination for concrete, in town to assess (and likely demolish) the town's "Bent Bridge". Both are supremely awkward, throwing themselves into their work to try to escape the baggage of unsatisfactory lives and failed relationships.

When I Lived in Modern Times is the story of Evelyn Sert, a 20-year old hairdresser from Soho, of Latvian-Jewish heritage. After the war, she sets sail for Palestine, aiming to be part of the creation of a "new Jewish world" along with the refugees and idealists gathering there.

This is a Palestine still under the last throes of British colonial rule, and Evelyn is uncertain of her place in the embroyonic years of the creation of the Jewish nation. Unable to speak Hebrew (or in fact any languages other than English) she is initially at the whims of those around her, spending her first confusing months in a kibbutz before hitching a ride to the idealistic White City of Tel Aviv with the mysterious Johnny.

The Stone Diaries is an epic covering the life of one woman, Daisy Goodwill Flett, over the course of almost the entire twentieth century. Beginning with her birth in 1905, during which her mother dies, it catches up with Daisy at regular(ish) intervals through the century, covering her early life raised by her aunt Clarentine, her early marriage to the alcoholic Harold Hoad, a second marriage to a much older man (previously her ward, Barker Flett), parenthood and gradual decline through to her death in Florida in her nineties.

widow and resident of the town for around ten years, decides to open a bookshop in an abandoned seafront property known as The Old House, which is damp, decaying and apparently haunted by a "rapper" (poltergeist). She faces opposition from influential (and rich) local resident Mrs Gamart, who despite having shown negligible interest in the Old House previously, declares that she wants to use the location to set up an arts centre.

A Crime in the Neighbourhood is set in the suburbs of Washington, D.C. Its events are narrated from retrospective distance by Marsha, who as a ten year old saw her life impacted by a trio of events in the early part of 1972: the departure of her father (who elopes with her aunt), the unfolding Watergate scandal (which preoccupies her mother) and most importantly, the rape and murder of a young boy in her local area.

Young Mungo is a book that very much continues where Shuggie Bain left off. It’s not a sequel, but if you squinted a bit, it certainly could be. The world is the same - the grinding poverty of the Glasgow tenements in the late twentienth century, Shuggie’s Sighthill looming over the background of various scenes. The central character is again a boy coming to terms with his sexuality in unforgiving circumstances, while simultaneously devoting much of his love and energy to an alcoholic mother, with the same complement of older siblings as Shuggie. In short, if you loved his debut, you’re not going to find yourself wildly thrown off by the contents of this one. There are, of course, differences. Mungo is a fair bit older than Shuggie, already somewhat adapted to the reality he needs to at least try to fit into; similarly devoted to his disastrous mother, but less reliant on her and therefore slightly more open to possibilities beyond her world; and with at least sense of the possibility of escape.

Larry's Party covers just over twenty years in the life of Laurence "Larry" Weller, an initially "ordinary man" in Winnipeg, Manitoba. It begins in the mid-70s with him as a 26 year old assistant florist, and ends with him hosting the titular dinner party in 1997, his life having changed beyond recognition, but in some ways coming back to where the book began...