Erasure focuses on the author Thelonius “Monk” Ellison. In the mid-1990s, we find him in a rut with his writing, tired of being told by those around him in the publishing industry that he’s “not black enough". He’s an academic and his work reflects his own interests, such as modern retellings of Greek satires, and pissing off those around him with provocations that are of deeply niche interest - such at his lecture which parodies Barthes’ S/Z in the style of Barthes’ S/Z (a provocation to the average reader of Erasure, too, when this lecture is reproduced in exhaustive detail early in the book!) Outside of his writing, he’s dealing with everyday realities of life: a mother succumbing to Alzheimers, a brother who comes out of the closet - destroying his marriage, and a sister who pays the ultimate price for her work at an abortion clinic.

Blonde Roots has a concept that’s hugely appealing in its simplicity: it imagines a world in which the history of the slave trade is inverted, where “blak Aphrikans” are the masters and “whyte Europanes” the enslaved. Its central character is Doris Scagglethorpe, a white Englishwoman who is kidnapped as a child and taken on a slave ship to the New World (in the "West Japanese" islands) where she is acquired by the plantation owner Bwana, also known as Chief Kaga Konata Katamba I. She is ultimately moved to the imperial capital of Londolo, in the island of Great Ambossa where she becomes a "house slave" until her attempt to escape. As punishment, she is returned to the plantation and ends up labouring in the fields, suffering incredible hardship and dreaming of a final escape.

The Booker in the Nineties was all big ideas, grand narratives and excess, a decade distilled in book form under the glare of the tabloid press. In some sense this held true as the new millennium rolled over… and it some senses, well, it didn’t at all. As in the rest of life, and culture, the Booker in the Noughties felt more fragmented. More individual stories shining a light on hitherto ignored groups, but with the dominant Bookerati never too far around the corner.

Wolf Hall is the first part of Mantel's trilogy telling a fictionalised version of the life of Thomas Cromwell, chief minister of Henry VIII from 1534 to 1540. This first novel covers the years 1500 to 1537, beginning with an account of Cromwell's youthful abuse at the hands of his blacksmith father, and ending with the execution of Thomas More, with Cromwell overseeing as one of the most powerful men in the country.

The White Tiger is a darkly humorous satire told in the voice of Balram Halwai, brought up in village poverty in what he describes as India's "darkness." The novel is told in the form of a letter from Balram to the then Chinese Premier, Wen Jiabao. From a lower caste (by name, a sweetmaker) Balram sees his father die in poverty and vows to escape the "Rooster Coop" system that enslaves millions of Indians while others prosper in "the Light."

The Gathering is told from the perspective of a 39-year-old Irish mother, Veronica Hegarty, who is one of a family of twelve siblings. It focuses on the funeral and wake of her closest brother, Liam, who has recently taken his own life in the sea at Brighton.

The Inheritance of Loss is a novel that focuses on the diverse experiences of the inhabitants of a decaying colonial-era mansion in Kalimpong, and their relatives and friends. The primary focus is on two characters: Sai, an orphan living with her grandfather, retired judge Jemubhai Patel; and Biju, the son of the house's cook, who is living in New York illegally.

The Sea is narrated by Max Morden, a retired art historian reflecting on key moments of love and loss in his life. With little delineation, Max shifts his narration between three timeframes. The oldest covers a period in his childhood, during a summer holiday in a seaside town called Ballyless, where he becomes infatuated with a middle-class family, the Graces. His obsession focuses first on the mother, Connie, and then (in a different way) the daughter Chloe, who is also inextricably linked to her mute twin, Myles. We're also introduced to Carlos, the husband, and Rose, the twins' nursemaid. This part is in many ways the centrepiece and the events within it echo and reverberate across the other sections.

The Line of Beauty is a 1980s-set novel covered the peak years of Margaret Thatcher’s Conservative rule and the growth of the AIDS crisis. It focuses on Nick Guest, a recent Oxford graduate writing his PhD on Henry James. Now living in a Notting Hill townhouse belonging to the parents of his college friend (and crush) Toby Fedden. The patriarch of the family is Thatcher-obsessed MP Gerald Fedden, married to Rachel and also father to Catherine, a troubled character who forms a closer bond with Nick.

Vernon God Little is the story of Vernon Gregory Little, a teenager in smalltown Texas whose life is turned upside down when his best friend is responsible for a massacre at his high school. Although Vernon was absent for the event in question, running an errand for his teacher, he ends up being pinned with blame for the atrocity, accused of being an accessory and eventually perpetrator of the crime. He’s undone by a combination of outright self-serving treachery (from his mother’s romantic interest and all-round sleaze “Lally”), poor decision making from older relatives and friends (who encourage his repeated escapes from law and order) and herd mentality (where eventually everyone, including his own mother, comes to blame him, because the telly tells them to…)

Life of Pi is the story of Piscine Molitor “Pi” Patel, an Indian Tamil boy who grows up in Pondicherry as the son of a zookeeper. The novel is divided into three sections, framed by an author’s note which unusually is also a fiction. The longest middle section sees Pi cast adrift in the Pacific Ocean as his Canada-bound ship sinks without explanation. He recounts his tale of survival, adrift on a lifeboat in the company of Bengal tiger called Richard Parker, for 227 days.

True History of the Kelly Gang is a heavily fictionalized account of the Australian legend of Ned Kelly, a national icon to many, a “horse-thief and murderer” to others. Set in late nineteenth century Victoria, in a rural landscape north-east of Melbourne, it covers Kelly’s life from childhood through through his apprenticeship with notorious bushranger Harry Power, to infamy with his brother and two friends as the “Kelly Gang”, culminating in a dramatic shootout with the gang clad in “ironman” costumes.

The Blind Assassin contains three layers of narrative (all, it seems, titled The Blind Assassin.) The main story is realist novel with a grand historical sweep across major events of Canadian and world history, narrated by Iris Chase-Griffen, from the vantage point of the present day and addressed to her one surviving granddaughter. In this narrative, she reflects on her life and especially her relationship with her sister Laura, who died in a (presumably deliberate) car crash 10 days after the end of the Second World War. We also learn that her husband, the businessman and aspiring politician Richard Griffen, drowned shortly afterwards.