Held is a very difficult book to summarize in a short paragraph. In some sort of roundabout fashion, it’s a ‘grand historical sweep’ and a family saga, two things I usually very much enjoy. It begins in the trenches of the First World War, before we follow fairly logically into its aftermath, with the return of a soldier to something approaching ‘normal’ life in an early photography studio. In that same section, it takes a leap towards the supernatural, as the faces of his subjects’ loved ones begin appearing in his images. From here, things begin (deliberately) to fall apart, as the ‘novel’ (in as much as it is one) becomes progressively more fragmentary as it travels though the twentieth century and beyond, encountering along the way several generations of descendants of the original characters and the occasional famous figure like Ernest Rutherford or Marie Curie.

The Safekeep begins in the early 1960s in the rural Dutch province of Overijssel. We meet the book’s central character, Isabel, who lives alone in her family home, following her mother’s death. She obsessively tends to the house, while knowing she is only a temporary occupant. The house will eventually pass to her elder brother Louis, who like her other brother Hendrick has no interest in living in the house, having left and embraced city life. The three siblings meet for a dinner early in the book, at which Louis introduces his latest girlfriend Eva, to whom Isabel is openly and viciously rude. When Louis is later called away for work, he insists that Eva stay in the family home with Isabel, much to the latter’s dismay.

In the novel, both Khaled and Mustafa are shot at the protest and hospitalised. From this point, they are unable to return to their home country. The book explores the subsequent relationship, and eventual diverging paths, of the two friends, along with a third, the enigmatic author Hosam. The latter is introduced early in the novel as an inspirational figure in Khaled's life, after hearing his poem read out - unusually in lieu of a news broadcast - on the BBC Arabic World Service, by a presenter who would soon after be murdered in London (another event based closely on real events). Khaled later meets Hosam by chance in Paris, before the writer (no longer writing) joins him in London and becomes a lasting friend.

Orbital is conceptually simple yet unique. It follows a single day aboard an international space station, where six astronauts and cosmonauts go about their work, maintaining their craft, conducting scientific experiments, exercising, and observing and recording activity on Earth as they hurtle around it at incomprehensible speed. In the twenty-four hours covered by this slim novel, its protagonists will observe sixteen sunrises and sunsets on the planet below. In between the details of the day, we get sketches of the lives the six crewmembers have left behind.

Playground focuses primarily on four characters, who we know will come to share a connection. In Montreal, Evie Beaulieu is introduced in dramatic fashion, as a 12-year-old plunging to the bottom of a swimming pool, strapped to one of the first aqualungs by her father, and grows to love the ocean and everything connected to it. In Chicago, two super-smart kids with vastly differing backgrounds bond at an elite high school over their love of sophisticated board games. And finally there’s Ina Aroita, who has to my memory a far less memorable introduction, but is apparently considered to be one of the four main players also.

Oiur Evenings has a lot about it that will be familiar to Hollinghurst fans. Its protagonist, David Win, is a mixed-race child of a single parent, from the lower middle classes (his mother runs a small dressmaking business) in rural Southern England. He is a scholar at a prestigious fee-paying boys’ school, the recipient of an exhibition awarded by the arts benefactor Mark Harlow. The novel’s early chapters detail events during David’s time at that school, including a weekend at the Harlows’ country home, and an adventurous school ‘challenge’ in which he is paired with the Harlows’ son Giles (who we know from the book’s flash-forward introduction is to become a notorious right-wing politician and Brexit architect). David makes his way in life, developing an interest in acting and generally doing reasonably (if unspectacularly) well, all the while contending with his points of difference.

Our London Lives is told from the alternating viewpoints of two Irish immigrants who meet in a central London pub in the 1970s. Milly is a bartender at a traditional city pub, catering for a diverse clientele covering locals, city workers, and most importantly, boxers from a neighbouring club. One of those is Pip, who we first encounter as an ex-convict who has just come out of rehab, in 2017 (the novel’s ‘present day’). Pip’s story is told entirely from the vantage point of that present day, with all the retrospective mix of nostalgia and regret that comes with that sort of angle. By contrast, Milly’s narrative unfolds chronologically, in the moment, through the years from the late 1970s through to, eventually, 2017. In her story there are large leaps and gaps that aren’t immediately filled in, but the two perspectives collide in a richly satisfying (though far from conclusive) ending.

The Wren, The Wren is told from the perspective of three members of the same family. We begin from the perspective of Nell, a student and latterly author of clickbait-y online journalism, who is keen to break away from her claustrophobic relationship with her mother. This perspective alternates through most of the book with that of her mother Carmel, who has raised Nell alone after a brief affair. Looming over them both is the long shadow of Carmel’s poet father Phil., a womaniser who channels most of hs useful energy into poetry and otherwise appears as something of a moral and emotional vaccum. His nature-focused poems are dotted through the book, and we also get one chapter from his perspective towards the end.

Restless Dolly Maunder is the fictionalised story of Grenville’s grandmother, with the author trying to make sense of her mother’s distant and cold impression of the former by imagining the motivations and emotions that drove her ‘restless’ life. It begins with Dolly’s childhood, on a farm in New South Wales in the late nineteenth century. Dolly is a bright and promising pupil at the local one-room school, but grows up in an era when it’s practically unheard of for women to progress in education and take on a job of their own. Her ambition to become a teacher is futile, as teachers must relinquish their role upon marriage, an inevitability for a young woman of her time. Besides, her father couldn’t bear the shame of having a working daughter! ‘Over my dead body’ is his response to her request, and a phrase that haunts Dolly for the rest of her life.

River East, River West takes the form of two parallel narratives, as two characters experience contrasting moments in the recent history of China. The more autobiographical section, set initially in 2007 (shortly before the Financial Crisis), introduces us to 14-year-old Alva, the daughter of American expat and failed actress Sloan, as she navigates being a ‘laowai’ in a Chinese high school and looks on enviously at those attending American expat schools nearby.

Enter Ghost follows Sonia, a 38-year-old British/Dutch actor, with Palestinian heritage, who has recently broken off an affair with a London theatre director. She decides to take some time out from her career to visit her sister, Haneen, in Haifa. The two sisters spent summers in their youth visiting family in Haifa, and the latter returned there to forge a career as an academic. Haneen introduces Sonia to her friend Mariam, a theatre director, who is in the early stages of putting on an Arabic-language production of Hamlet in the West Bank. While Sonia is initially reluctant to get involved, she is pulled in by Mariam’s bluntness and idealistic spirit and agrees to help out with rehearsals, before eventually getting swept up by the energy of the production and taking on the role of Gertrude.

Rare Singles is a slim novel focusing on Earlon ‘Bucky’ Bronco, a seventy-something Black man living in Illinois, who cut a few soul records as a teenager but has spent much of the recent of his life working dead-end jobs and devoting his life to his wife Maybellene, who has recently died. Out of the blue, he receives a request to travel to Scarborough, a fading seaside resort in Northern England, to play a comeback show at a Northern Soul Weekender. Unbeknownst to Bucky, who was paid a derisory flat fee for his initial recordings so has no way of tracking their afterlives, his two ‘rare singles’ have become loved and treasured in the Northern Soul scene, which gave another life to many obscure releases from US soul singers on the Northern-English dancefloors (and to some extent, the UK charts) of the 70s and beyond.

The Accidental takes place mainly in a sleepy village in Norfolk, where a middle class family from Islington, London are spending their summer.  Eve Smart is the family’s mother, and a novelist who draws on real-life stories for her fiction, and is currently suffering from writer’s block.  Her partner is Michael, also a writer and a university professor in London, who is prone to infidelity with his students.  Eve’s daughters from a previous marriage (to an Adam, no less) are Astrid, a 12 year old girl with a love for photography and a delightful way with words, and Magnus, an older teenager with a scientific mind and a serious (and justified) sense of guilt hanging over him over an incident that happened before the holidays.

How to Make a Bomb was initially published last year in the US under the somewhat less provocative title Dartmouth Park. It’s a short novel, written in a sparse poetic style, eschewing paragraphs in favour of short sentences with line breaks and limited punctuation. Its focus is the fifty-year-old London-based historian Philip Notman, who is thrown into a deep personal crisis following a trip to a conference in Bergen. On his return he begins to struggle to pick up with his everyday life, and abandons his wife and (adult) son to head off in search of… something. Initially it seems that that something may be an affair, with the captivating Ines, who he met at the Bergen conference and initially seeks out in Cadiz. Yet relatively soon he is on the move again, this time to Crete to spend time in the dilapidated house of an older couple he helped out in Spain. He arrives seeking fulfillment of a different kind, away from the noise of modern life, and is further tempted by the allure of religion on a visit to a monastery. When all of this ultimately fails to resolve his issues, he heads back to London with a new sense of purpose, and a rather disturbing mission.

Fast By The Horns is set in the Bristol neighbourhood of St. Pauls in 1980. It focuses on Jabari, the 14-year-old only son of the Rasafarian community leader Ras Levi. He exists in a clearly very close-knit community, but one that is constantly beaten down by corrupt policing and lack of council investment. Ras Levi and his fellow Rastafarians in the community, including of course Jabari, dream of repatriation to the Ethiopian motherland, though others in the community mock their ambitions and urge them to engage with the political realities of life in the UK. Amidst the violence and daily struggles with police brutality, Jabari's encounter with a young girl formerly from St. Pauls, who we find has been placed in the care of a white family in a neighbouring affluent area, provides a tender and emotional thread at the centre of the novel.

Martyr! introduces us to Cyrus Shams, a recently sober son of Iranian immigrants (and evidently an autobiographical proxy for the author). As a child he moved to the US following the loss of his mother when her plane (Iran Air Flight 655; based on a real incident) was shot down over the Persian Gulf by US forces. His father, who made his way in the States as a factory farm worker, has also died, leaving Cyrus seeking meaning initially in narcotics but subsequently in poetry.

Pity is a short novel that trains its eyes on the former mining town of Barnsley, near to Sheffield in northern England. It focuses on three generations of the same family, covering the late twentieth century up to the present day (or thereabouts), and almost exclusively focusing on the men of the family.

Western Lane follows Gopi, an 11-year old British-Indian Jain girl living in suburban London in the 1980s, who has recently lost her mother. Alongside her two older sisters, she is left in the care of her Pa, who is clearly also struggling with grief despite a seeming lack of emotional empathy and uncommunicative nature. Both Gopi and her Pa channel their grief into an obsession with squash, training at the titular Western Lane centre where Gopi meets Ged, a white boy with whom she becomes quietly infatuated, and his mother, with whom Pa finds a connection.

The Bee Sting is something of an epic at 600+ pages, focusing on a fairly affluent family in small-town Ireland, in the aftermath of the 2008 Financial Crash. It's a novel of perspectives, with its lengthy first four sections each seen through the eyes of a different family member.

An American Marriage is focused on the marriage of a middle-class Black American couple from Atlanta, Georgia. Roy, a sales representative who has worked his way up from a relatively poor background, and Celestial, an artist who makes dolls from a more wealthy family, are introduced as newlyweds. The novel begins with a fairly domestic focus, with the pair arguing over their respective relationships with their parents and suchlike. Their lives are turned upside down when Roy is arrested and imprisoned for raping a woman in a motel, a crime he plainly did not commit, after only 18 months of marriage.